Courses

In my classes, we learn together, through curiosity, challenge, and conversation. Whether studying French language or the cultural histories I research, students meet voices from the Caribbean, Africa, and the diaspora, discovering just how wide and varied the Francophone world is, and how its stories can reshape how we see the world.

Project-Based Learning (PBL)

Afro-Diasporic Art Caribbean Literature  Francophone Literature  Interdisciplinary  Ethnographic Film Haitian Dominican Border  Black Feminism  Black Ecologies
Afro-Diasporic Art Caribbean Literature  Francophone Literature  Interdisciplinary  Ethnographic Film Haitian Dominican Border  Black Feminism  Black Ecologies

Guest Lectures

I have been invited to guest lecture in various undergraduate and graduate courses, leading sessions that connect my research in Caribbean and Francophone studies to students’ learning through close analysis, discussion, and creative, critical engagement with diverse media.

In these sessions, I encourage students to explore Haitian, African, and Francophone cultures beyond the classroom, weaving together art, literature, history, and politics in meaningful ways.

African and African Diaspora Studies (AADS), Boston College (Spring 2026)

Transcending the Haitian/Dominican Conflict Narrative through Art and Activism
As part of my teaching fellowship, I have the opportunity to design this course from the ground up, drawing directly from my own research. This undergraduate elective examines how Haitian and Dominican artists, writers, and activists challenge long-standing conflict narratives shaped by colonial history, racialized borders, and nationalist politics. Through literature, film, and visual and performance art, we examine how creative work reimagines historical memory, opens space for dialogue, and offers fresh perspectives on the shared island. Together, we reflect on the role of the arts in reimagining political and cultural relationships in the Caribbean. Taught in translation, this course invites students to engage with the material in the language they know best - whether French, Kreyòl, or Spanish - making the content accessible while honoring its multilingual roots.

Department of Modern Languages and Linguistics (MLL), Florida State University (2021-2025)

Elementary French I (FRE 1120)
An entry point into French, this course builds a strong foundation in listening, speaking, reading, and writing. Designed for beginners, it introduces essential vocabulary and grammar while encouraging active communication from day one. Students also get a first glimpse into the diverse cultures of the francophone world through a range of media tailored to different learning styles.

Elementary French II (FRE 1121)
Building on Elementary French I, this course strengthens core skills and expands vocabulary and grammar knowledge. Students gain confidence in conversation, comprehension, and self-expression through interactive practice, while continuing to explore francophone cultures via film, music, visual art, and other engaging materials.

Intermediate French (FRE 2220)

A fast-moving review of key grammar paired with activities to refine oral and written expression. Through conversation, composition, and comprehension activities, students deepen their fluency and engage more fully with the language. Cultural exploration remains a central thread, with diverse media offering new perspectives on the breadth of the francophone world.

The Mini Francophone Film Festival Project (2023)

In the summer of 2023, my French 2 course became a fully immersive, project-based learning experience centered on designing and hosting a Mini Francophone Film Festival for a public audience. Over the course of just six weeks, every element of the class - materials, in-class activities, and assessments - was aligned with preparing students for this event.

While I curated the film selection, students drove the festival’s creative and intellectual work. Starting in week 2, we held weekly public screenings, each followed by student-led informal discussions. In preparation, students researched the films’ cultural and historical contexts, watched trailers together in class, and developed thematic conversation prompts.

Students also designed the festival’s bilingual promotional materials (posters and videos) learning to communicate effectively in both French and English to engage their audience. In class, students explored the world of Francophone cinema through case studies of international film festivals, vocabulary for genres and cinematic techniques, and guided conversations about film as a cultural and political medium.

Assessment for the course was designed to blend authentic performance tasks with language skill development. Oral examinations were directly tied to the festival experience:

  • Oral Exam 1 – Film Critic Role-Play: Students chose one of the films screened at the festival and spoke about it in French for approximately 5 minutes, taking on the role of a journalist and film critic. They discussed the film’s genre, plot, their favorite scene, character relationships, and their personal evaluation of the work.

  • Oral Exam 2 – Interview Role-Play: In pairs, students role-played either a director or an actor from one of the films, asking and answering at least four questions each. Directors discussed creative inspiration, narrative choices, potential sequels, favorite scenes, and artistic satisfaction. Actors reflected on challenging scenes, character relationships, preparation rituals, and dream roles.

The project blended individual accountability and collaborative creativity, with students alternating between solo research and group tasks. After the screenings, they engaged in conversations around themes such as migration, identity, and cultural memory.

By the end of the six weeks, students had not only strengthened their language skills but also developed intercultural awareness, public-speaking confidence, and a tangible sense of ownership over their learning - transforming the course into a shared cultural experience that extended far beyond the classroom.

Department of Modern Languages and Linguistics (MLL), Florida State University

“Beyond Consumption : Representing Vodou in Nan Dòmi and Boukman Ekperyans’ Mizik Rasin” (Fall 2024)

Invited by Dr. Vincent Joos, in the undergraduate/graduate seminar “Caribbean Music and Religion.”

“Baloji’s Filmic Phantasmagoria on Exile & Return to the Native Land” (Fall 2024)

Invited by Dr. Martin Munro, in the undergraduate seminar “Francophone Cinema”

“Histoire, mémoire et corps dans l’œuvre picturale de Tessa Mars” (Spring 2023)

Invited by Dr. Martin Munro, in the undergraduate/graduate seminar “Indigenous & Caribbean francophone literature”

“Visual Pleasure and the Death of Innocence in Hulda Guzman’s Representation of the Haitian Dominican Border” (Fall 2022)

Invited by Dr. Jeannine Murray-Román, in the undergraduate/graduate seminar “Haiti and the Dominican Republic”  

“Persépolis by Marjane Satrapi & Keys to Understanding the Art of the Graphic Novel” (Fall 2022)

Invited by Dr. Virginia Osborn, in the undergraduate course “French and Francophone Women Writers” 

“Lost in Translation: La traversée des frontières dans Trois femmes puissantes de Marie Ndiaye” (Fall 2021)

Invited by Dr. Michaela Hulstyn, in the undergraduate/graduate seminar “Intermediality in Transcultural Literature”

“I really loved how the course was laid out. Participation was required but it helped us to learn. I think Carine really loves connecting with her students. The film festival we are doing just shows how much effort she puts in to make the class enjoyable.” (Anonymous student feedback.)